The Millions

August 29, 2004

 

What's New For September

If you are like me, you are probably getting tired of politics. Politicians, political news, television ads from concerned citizens for this or that, conventions finally almost past, and debates still to come, I'm tired of all of it. Thank god someone decided that it was ok for people to make up big, long stories (or collect little, short ones) and for other people to read those stories. A diversion, if you like. So, what will divert us this month? T. C. Boyle, who has over the years become a bigger and bigger name in American fiction, has a new novel coming out called The Inner Circle. Set in 1940, the book is about a young man who works as an assistant for the sex researcher, Alfred Kinsey (a real historical figure), and quickly becomes embroiled in the sort of bizarreness one might expect from a novel by T. C. Boyle. I hope to read that one soon. If you're the type of person who likes to know about the next big thing, have a look at Jonathan Strange & Mr. Norrel. You'll be hearing about this book a lot for the next few months, so you might as well read it. Touted as, what else, Harry Potter for grown ups, this debut novel by Susanna Clarke is set to release simultaneously in the US, Britain, and Germany with a first run of 250,000 copies (astronomical for a debut by an unknown writer). Part of the buzz stems from the subject matter; it's about magic, magicians, and mysticism, and with the success of Potter and Da Vinci Code these topics seem like a sure bet. But, according to many accounts, the book is not just timely, it's a great read. Those looking to avoid the buzz may want to try another debut novel, The Second Life of Samuel Tyne by Esi Edugyan. Tyne is an African immigrant who has raised his family in Canada. Circumstances and yearning for a better life lead him to relocate to Aster, a small town with a utopic history. He finds there a different set of struggles. For readers in the mood for something a little lighter and with a quicker pulse try The Little White Car a speedy little novel from Britain that sounds as energetic as Run, Lola, Run. The book was supposedly written by a new French talent, a young woman named Danuta de Rhodes, but skeptical British critics were quick to announce that de Rhodes is merely the alter ego of Dan Rhodes, known trickster and acclaimed author of Timoleon Vieta Come Home. Finally, those with a hankering for short stories might consider When The Nines Roll Over And Other Stories by David Benioff who previously wrote the novel The 25th Hour (which later was made into a movie by Spike Lee), and also The Secret Goldfish by David Means. Sounds a lot better than politics to me.

The Inner Circle by T.C. Boyle -- Boyle's blog
Jonathan Strange & Mr. Norrel by Susanna Clarke -- preview
The Second Life of Samuel Tyne by Edi Edugyan -- excerpt
The Little White Car by Danuta de Rhodes -- the scoop, review
When The Nines Roll Over And Other Stories by David Benioff -- excerpt
The Secret Goldfish by David Means -- excerpt, review

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August 27, 2004

 

More

The public literary program, One Book One City, that is half-heartedly sweeping the nation apparently has an outpost in my new city. They are already on book seven, which means that Chicagoans are reading circles around my former city, Los Angeles, which, last time I checked, was only on book two. The latest pick for Chicago is In the Time of the Butterflies by Julia Alvarez. I'll be looking out for it on the "L". In other news, the first volume of Bob Dylan's extremely long-awaited memoir finally has a release date. October 12th will see the release of Chronicles: Volume 1 as well as Lyrics: 1962-2002, both from Simon & Schuster. I think we know what Dylan fans will be wanting for Christmas.
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August 26, 2004

 

Recent Reviews of Interest

Here are some book reviews and book related stories that have caught my eye in recent days. In the New York Times Charles McGrath reviews a forward-thinking anthology, The Anchor Book of New American Short Stories. The review is tepid, but McGrath takes the opportunity to give us an interesting little summary of the state of the American short story. Also from the Times, Michiko Kakutani delivers a review of Arthur Phillips latest, The Egyptologist. She makes the book sound pretty exciting, but in the end quibbles that it is not sufficiently weighty. Despite her reservations, The Egyptologist seems worth a look. I would imagine that it's great airplane reading.
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August 23, 2004

 

A Review of The Outlaw Sea by William Langewiesche

Thanks to our friend Edan, who is well-connected in the world of audio books, Mrs. Millions and I had a 6 cd, seven and half hour, unabridged work of literature to keep us company on our recent trip from Chicago to New York, where we're picking up the dog, and various of our far flung possessions. The Outlaw Sea was a riveting work of non-fiction by an accomplished reporter. Langewiesche is a correspondent for The Atlantic Monthly and has written several books that combine hard reportage with the more ephemeral qualities of a travel writer. In this case, Langewiesche's goal is to illustrate with bold examples the ungovernability of the sea. For him, this is a law of nature, but it is also a consequence of the inability of the laws of men to deal with sea's expanses. His case studies, if you will, are many, but he spends the most time on a few memorable stories: the modern day pirate attack on the Alondra Rainbow in 1999; the post-apocalyptic landscape of the world's most heavily trafficked ship graveyard, the beaches of Alang, India; and the wreck of the ferry Estonia on which at least 852 people died when it went down in a storm in the Baltic Sea in 1994. The subtext in all of these stories is that the tragedies contained within are, at least partly, a result of the inability of modern societies to govern the seas. The greater implication, as Langewiesche makes clear, is that such lawlessness and statelessness make the sea fertile for the operations of lawless, stateless terrorists. The sea is everywhere, but it is nowhere in the eyes of the law. These timely concerns, and Langewiesche's sturdy prose elevate a book of riveting tales of disasters at sea to a book of more weighty importance.


August 20, 2004

 

Bits of News

If I had been near enough to a computer and had enough time to blog over the last month, I probably would have talked about Nicholson Baker's new book, Checkpoint. I haven't read it, so I can only comment on the reactions that I have seen to the book. Most have been negative. The book is about two friends who are sitting in a hotel room having a conversation. One character wants to assassinate President George W. Bush, the other is trying to talk him out of it. The subject matter alone seems to come from a desire to create controversy, and though Baker and his publisher have gone out of their way to condemn violence, Baker has said that he was motivated by his own personal anger to write the book. If you ask me, controversial subject matter + short book (115 pages in this case) + rush to press = literary publicity stunt, and many, including the New York Times agree.

Readers of fiction looking for a weekly dose and writers of fiction looking for an audience should check out Weekly Reader, a little website that delivers a story to your inbox every week.

Poaching two great links from Arts & Letters Daily: Jonathan Yardley loves Hunter S. Thompson's new collection of pieces from ESPN.com's page 2, Hey Rube; and Tibor Fischer discusses the current slate of Booker hopefuls.


August 19, 2004

 

A Review of Last Train to Memphis by Peter Guralnick

I'm not particularly drawn to biographies, and certainly not music biographies, but I make exceptions for Elvis. I was also swayed because I have heard Peter Guralnick's books praised many times. Most satisfying about Last Train to Memphis, volume one of Guralnick's two volume biography of Elvis Presley, was Guralnick's ability to humanize his subject. The persona of Elvis, years after his death, is such a caricature, even a joke, that it can be hard to remember that there was a real, living, breathing person named Elvis Presley. The book contained what were, for me, some fantastic revelations. For one, Elvis was nearly done in when he was a youngster, not by the difficulties of his quest for fame, but by the swiftness with which it arrived. In a year's time, he went from being a nobody to being one of the most recognizable faces in the country, a man whose presence literally caused riots whenever he appeared in public. For Elvis, it was a major struggle simply to adjust to this new life. Television documentaries and magazine articles often mention in passing that Elvis' music and persona caused quite a stir, moral outrage even, when he appeared on the scene in the 1950s. Such stories sound quaint and exaggerated in this day and age, but with the context provided by Guralnick, I was able to see how groundbreaking Elvis really was, both musically and socially. Finally, I was enthralled by Guralnick's portraits of Elvis' supporting cast, quirky characters like Elvis' mother Gladys, his manager Colonel Tom Parker, and the guy who gave him his first big break, Sam Phillips. The book rekindled my love, as it surely will rekindle yours, for the early days of rock and roll, and it left me with a serious hankering to read volume two of the biography, Careless Love: The Unmaking of Elvis Presley sometime real soon.


August 18, 2004

 

Ask a Book Question: The Twenty-third in a Series (Bringing a Book to Hollywood)

Rick writes in wanting to know how he can lay the groundwork for a big-screen version of a bestselling novel.
Does anybody know if (or how to find out if) someone has the motion picture rights to Leon Uris' novel Trinity? Any help would be appreciated. Thanks
I can't tell you all how pleased I was to see this question in my inbox. I was beginning to worry that the year I spent getting coffee and wearing a jaunty headset at a Hollywood agency had gone to waste. Luckily in between my important duties as a glorified (and grossly under-compensated) secretary, I was able to glean some actual knowledge about the entertainment industry. Even more luckily, I will most likely never work in said industry again. As I was saying, though, there are ways to find out if anyone owns the film rights to a particular book, and if so, who. It basically involves persistent phone calls in which each person you talk to tells you to call another person, who tells you to call another person, and so on. And while I am not, at the moment, inclined to do the leg work, (although Trinity would make a great movie), I can at least tell you who to call first. Begin with the Writers Guild, also known as the WGA. Typically you can call them with the name of a writer, and they can tell you which agent represents that writer (bear in mind, however, that if you give them more than one name they are liable to get very snotty very quickly.) You can then call the agent and begin fishing for the pertinent names and numbers, though it may take a week or two to get past his or her assistant. They are, as I once was, tenacious buggers. If this route fails, try calling the publisher, in this case Bantam or whichever conglomerate currently owns that imprint. Once you get someone on the phone who sounds helpful (and they will typically be more helpful than the Hollywood types), try to get the digits of whichever literary agent or lawyer handles Mr. Uris' estate. Which brings me to another point, since Mr. Uris passed away last year, you will be dealing with his estate, which may make things more complicated. Finally, be aware that figuring out who owns which rights to which book at what price can often be a laborious and Byzantine process, especially in the case of a book like Trinity, the rights to which, as a decades old bestseller, have probably changed hands a number of times. It's because of these complexities that many of the bigger Hollywood agencies have a full-time employee whose responsibility is sorting out these rights issues. Still, if you have a dream, a vision, and a little bit of dough, none of these impediments should hinder you. Good luck, and feel free to let us know how things turn out.


August 15, 2004

 

City of The Big Shoulders

The title of this post is taken from a poem called "Chicago" by Carl Sandburg. The reference is to the men of the meat-packing industry, and the nickname came to represent the burly, blue-collar mentality of the place. At least, that's what I've gathered so far. Mrs. Millions and I are more or less fully relocated in Chicago. We found an apartment and we'll be moved in by the first of the month. The apartment is located in a neighborhood called Ravenswood. It sounds like something out of Edgar Allan Poe, no? We've been here about a week, and we've spent a lot of time driving around, looking for a place to live and getting to know the city. So far, it seems like a great place. Around every corner there seems to be a row of shops, cafes and restaurants, and driving by Wrigley when a game is on is remarkable. I can see that Chicago has its own very distinct identity, and being here makes me want to read some books that are about or set in the city. Some candidates: American Pharaoh by Adam Cohen, The Devil in the White City by Erik Larson, Crossing California by Adam Langer, and The Coast of Chicago by Stuart Dybek.
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August 04, 2004

 

Bloody Mary Rules

We are leaving for Chicago very soon, and with no place to live as of yet, I do not know when I will be blogging again... not for a couple of weeks, probably. So, I will leave you with something, though not book-related in any way, that you may find quite useful:

One of my favorite beverages is the Bloody Mary: vodka and spicy, peppery tomato juice poured over some ice cubes and garnished with celery and maybe a wedge of lime. It kind of makes you thirsty just thinking about it, doesn't it? Me too. It reminds me of college, in fact. At the University of Virginia daytime cocktail parties (especially on football weekends) are a mainstay. It was at these parties where I discovered my taste for the Bloody Mary. I also discovered that of the many adult beverages available to us, the Bloody Mary is one of the few that can't just be consumed anywhere, at any time. You will look silly if you order a Bloody Mary at your local pub on a Friday night and you probably won't enjoy it very much either. The peculiar thing about the Bloody Mary is that there is most certainly a time and place for them. Over the years, I set out to determine exactly what those times and places are. If you have been nearby while I've been drinking a Bloody Mary, you have probably heard my set of rules. Still, I worry that I might forget them one day, so I've decided to immortality them in this here blog. I submit now, for your consideration, The Bloody Mary Rules. Enjoy!

The Rule of Thumb: No matter where you are, you may drink as many Bloody Marys as you like between dawn and noon. After noon, you may have Bloody Mary as your first drink of the day, but afterwards you must move on to other adult beverages. After sunset, you may not drink any Blood Marys.

The Codicils (Or exceptions to The Rule of Thumb, if you like. At any rate, this is where things get interesting): Irrespective of the time of day, you MAY drink Bloody Marys (as many as you like):

1. On airplanes
1a. At the airport bar, but ONLY if your plane has been delayed
2. At wedding receptions
3. At horse races
4. While bowling
5. And, finally, on boats